Through our collaboration with youngart, a selection of contemporary artworks has been installed across different floors of our building. These pieces bring creativity and inspiration into our everyday spaces - and will be refreshed each year to showcase new artists and perspectives.
On this page, you can learn more about the creators behind the artworks and discover where each piece is located throughout the building.
Enjoy exploring!
Artworks by Kovács Gabriella – Ellart
In my work, I explore the shared, eternal rhythm between the natural landscape and human presence. The inhabitants of my paintings - miniature figures arranged in playful formations - embody both the lightness and the solemnity of existence. They swim, dance, and wander, moving in harmony with the colorful rolling hills, the wind-rippled water surfaces, or the clouds of imagination. On the surface, these may appear as ordinary scenes - summer bathing, walks, moments of togetherness - but these simple gestures often become metaphors for inner freedom, belonging, and the experience of happiness. My palette is intuitive yet deliberate: the translucent layers of watercolor and the depth of oil paints evoke the dreamlike beauty of the world. In my compositions, the landscape does not aim for geographical accuracy but rather reflects memories and emotional terrains. Every form follows soft curves, as if it too were part of the movement. The horizon dissolves - there is no above or below, only flow - between colors, people, and experiences. My goal is to invite the viewer to step into this world, even for a moment: to be on the shore among the parasols, in the field with friends, or floating on the water’s surface, where everything is quiet and timeless. These small stories together outline a greater harmony - a return to the childlike perception of joy, where every moment is both play and presence.
„Játszani” / „To play”
2nd floor – meeting room
„Kirándulás a dombokon” / „Hiking in the hills”
3rd floor – meeting room
„Vitorlások a Balcsin II.” / „Sailboats on Lake Balaton II.”
6th floor – meeting room
„Kagyló Lagúnák” / „Lagoons of shells”
7th floor – meeting room
Artwork by Kővári Kamillavirág
The shapes that appear in my paintings are grotesque, life forms that are difficult to define. In the course of my research, I seek theses, thoughts, visions, and theories that deal with the issues of the place of beings on earth in the world. My images are characterized by enhanced colors, amorphous shapes, the appearance of an unreal dimension. The free flow of chance, the playful imagination, plays a big role in the method of making my paintings, so the end result is a mystery to me for a long time, I later decipher my vision and motives.
„Hőlény” / „Heat creature”
2nd floor – meeting room
Artwork by Emese Bács
In 1978 I was born in Brasov. I studied graphic design from 1994 till 1996 in Liceul de Arta Brasov (Arts High School), than later on from 1998 till 2004 at the Hungarian University of Fine Arts –my masters: Joseph Gaal and Dora Maurer. In 2001 I received Erasmus scholarship to study at the Accademia di Belle Arti,Brera / Milano at there production artwork and lithography department. In 2002 I received another scholarship “Ludwig” which made possible to make a study tour to France, Spain, Portugal and Morocco. In 2004 I graduated from MKE painter and audiovisual education department. In 2006 I had a scholarship in Vienna, too. I has been living and working since 1997 in Budapest. My works are representations, reconstructions of people living on the periphery of society (homeless people, beggars, etc.) made of things thrown away and a reflection on certain spiritual, mental anomalies beyond the signs of today’s existential crisis (e. g. everybody on the subway is fiddling constantly with his mobile phone): the increasing alienation and atomization of consumer society (a sombre, obsessive worshipping of high-tech instead of conversation, reading or contemplation), it becoming uniform, and today’s oppressing technical fetishism, pervading everything. Through the recycling of trash, the combination of glued and painted elements I represent iconic scenes of poverty and high-tech fetishism, and I create bizarre human figures (statues) made of trash.
„Váci út madártávlatból III.” / „Vaci street from the aeroplane III.”
5th floor – meeting room
Artwork by Szőke Péter Jakab
In the pictures, I look for some kind of my own world, where the ordered chaos experienced in life meets the stories of the figures and people I have met, from my point of view, rearranged, as if I were assembling the extracted details in a studio, entrusting the colors and compositions to the feelings of my eyes. Lived and desired experiences are put on the canvas, images that form before my eyes, based on free gestures and plays. My technique was developed in my own way, I use acrylic, ink, and felt for the base layers, and oil paint for painting the figures, coverings, and glazing. A few years ago, I included the use of photo transfer for the foundation, which is mainly intended to color the details of the picture, but since I transfer black and white photos to the canvas, this also contrasts with the colorist's color treatment. Numbered giclée prints are also made from my paintings, mainly on stretched canvas, in limited editions.
„Oroszlánkölykök” / „Lion cubs”
5th floor – meeting room
Artwork by Orosz-Stefán Renáta "Stefi"
Two things define my work: the practice and the mediation of art. This duality is also reflected in my education - I graduated as a painter and an art educator from the University of Nyíregyháza. Since then, I have pursued both paths in parallel, participating in national and international art camps and residency programs, and exhibiting my work at regional and national exhibitions. In 2016, I was awarded the FreshArt8 Grand Prize by the Municipality of Debrecen, and in 2023, I received the Mazsaroff Prize. In my artistic practice, I combine a sensual and a metaphysical approach. After a period of nonfigurative work, I turned toward symbolic figuration, reviving the visual language of everyday settings as seen in early 20th-century painting and photography. These works are created using mixed techniques, and in recent years, objects and stitching have also become part of my artistic expression. My main themes revolve around childlike playfulness and the inclusion of human–animal relationships in abstract spaces. As a teacher, I help shape the outlook of the next generation of exhibition-goers every day. My artistic credo is to use the tools of art to always strive for the best and the most - as an artist, as a teacher, and as a mother - maintaining harmony among these different roles.
„Homo Ludens III.”
6th floor – meeting room
Artwork by Judit Varga
Creative work has always been a part of my life, I knew as a small child that I wanted to do something related to visual design. After twenty-five years of working in the advertising industry, I switched to painting, and today I exclusively deal with it. The endless perspectives of the subject inspire me. There is nothing more exciting than continuous experimentation. I like things that dance on the edge of a blade, when you can't decide what a color is, when an image can be interpreted in several ways, that's why I move primarily in the world of abstraction. Thus, every observer is forced to include himself, his subjective self, his way of seeing.
„Fókusz 2.” / „Focus 2.”
7th floor – meeting room